Our website will be down for a couple days. We’ve performing some major updates, shifting web hosts, and generally spicin’ things up around here.
The blog will remain active through most of the upgrade, but the main site (including our store) will be down. If you have questions about the journal, submissions, or purchases, you can always e-mail us at firstname.lastname@example.org
Thanks for understanding!
James R. Gapinski’s story, “Migratory Patterns,” was one of 25 finalists for Glimmer Train‘s recent “Very Short Fiction Award.”
Read the full list of winners and finalists here.
Hillary Leftwich’s story, “A Small Infestation Following a Big Stroke of Luck,” was recently published in Monkeybicycle. Congrats on the publication, Hillary!
Her work has also recently appeared recently in NANO Fiction and is forthcoming in Progenitor. Follow Hillary on Twitter at @hillaryleftwich.
Money Money Money Water Water Water
Written by Jane Mead
Alice James Books, 2014
Jane Mead’s assured hand has snipped exquisite holes in her poems, allowing the unsaid to rise, waver and haunt every line. In her fourth collection, the poet has removed every non-essential word, a mastery of distillation, to create a work of pure potency.
In tercets, mostly (three line stanzas), roaming through lean sections of natural shocks, Mead contemplates environmental and existential immensities in a liminal subtext and never puts a foot wrong. On the left, single tercets with monostich gesture to the right hand poems in language as urgent, wistful and primary as How much how much where going and you know exactly what she means.
What can’t be said speaks wholly through absence; connections are deepened through asyndeton (no connectors). Gone, most of a sentence; the word going is allowed to remain, to reappear like the repetitions of the title, or ghosts. Going, going, gone.
Questions don’t need question marks, nether states like “the can-be / and the want” “primitive stalks of might-be / and aftermath” tell all. Known by the spirits of deer, and the dead. Ag reports, pesticides. The effect is transfiguring in a transfigured terroir. Something changes into something else in the space between the going and the aftermath, and in us, as Mead asks her last question.
How much can you subtract now
How much and still get by
Review by Susan Lynch
© 2014, All Rights Reserved
Thomas Dodson’s “The Death of Elpenor” will appear in the next issue of The Chicago Quarterly Review.
Additionally, the magazine Tom edits, Printer’s Devil Review, has just released a new issue. You can find the latest PDR here.
Congrats on the upcoming publication and on putting out another issue of Printer’s Devil Review!
Our Managing Editor, James R. Gapinski, reviews Ashley Farmer’s Beside Myself (Tiny Hardcore Press, 2014). You can find the review at Heavy Feather Review.
The 2014 Innovative Short Fiction contest has ended, and Manuel Gonzales has selected the winner. Congratulations to Tom Howard and his short story, “American Rag Story.” This year’s judge, Manuel Gonzales, noted that this piece was “funny and tragic and formally interesting,” and he also liked that “it didn’t take itself too seriously.” Tom Howard’s work has appeared recently in ARDOR, Storm Cellar, Quarter After Eight, Digital Americana and elsewhere. He lives with his wife in Arlington, Virginia. Tom will receive a $500 prize, and his story will be published in the next issue of The Conium Review, due out later in 2014.
This year’s finalists were Amy Blakemore, Jack Granath, D. V. Klenak, Jan LaPerle, and Christine Texeira. Honorable mentions include Colleen Burner, Julie Curwin, Will Kaufman, and Kendall Klym.
The Conium Review editorial staff thanks everybody who submitted and supported this contest. We look forward to announcing next year’s judge soon, and we hope many of you will consider submitting again in 2015.
Susan Lynch (one of our Associate Editors) will be reading at the Richard Hugo House in Seattle, WA on Saturday, April 26th. She’s reading as part of the Lit.mustest reading series.
The night’s featured reader is Carol Casella. She is the author of three novels: Oxygen (Simon & Schuster, 2008), Healer (Simon & Schuster, 2010), and Gemini (Simon & Schuster, 2014).
Where: Richard Hugo House, 1634 11th Ave, Seattle, Washington 98122
When: 7:00pm to 10:00pm on Saturday, April 26th.
This is an all-ages event open to the public.
There will be a cash bar.
Admission is free.
Parking is available at Hugo House. Street parking is free around Cal Anderson Park after 6pm.
Find this event on Facebook.
The Conium Review‘s Associate Editor, Tristan Beach, was recently published in Rawboned. Read his poem, “Grants Pass, OR: 2013,” here.
Congrats on the publication, Tristan!
Hillary Leftwich’s flash fiction piece, “Free Lunch,” won the 2014 Writers Studio Literary Contest and is nominated for a Pushcart Prize.
Hillary is one of our Fiction Editors. Her work is forthcoming in NANO Fiction, she’s a co-founder of the Denver Shitty Writers group, and she was recently interviewed by The Missouri Review for their Working Writer Series.